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    Middle East
     Feb 25, 2009
KEBABBLE
Turkey's song and dance over Eurovision
By Fazile Zahir

FETHIYE, Turkey - Unlike most competing nations, Turkey throws itself wholeheartedly into the annual kitsch extravaganza that is the Eurovision song contest, and here there is none of the tongue-in-cheek lampooning of contestants or their songs that is popular in nations like Britain.

The contest is taken so seriously that Turkey's choice of singer and song were announced this year by the top state broadcasting organization, TRT, on their important New Year show. Hadise, the Belgian-born R&B singer-songwriter, will be Turkey's representative with the pop song Dum Tek Tek (Crazy For You).

With her youthful looks, great vocal range and racy dance

 

routines, Hadise's nomination has been widely welcomed by the public. She already has European success with her 2008 hit Stir Me Up and was the consistent winner of TRT's online polls for who should go to Moscow, where the contest takes place in May.

Controversy already surrounds this year's competition, with Georgia's entry We Don't Wanna Put In, a not-too-subtle jibe at Russian Prime Minister Vladimir Putin after the nations' five-day war in August, 2008. The Caucasus nation initially threatened to boycott the event in protest against Russia's de facto annexation of two of its separatist regions after the conflict. A spokesman for Putin has denounced the song as "hooliganism".

There has also been anger at Israel's plans to field the female Jewish-Arab singing duo Nini and Mira. The pair was selected by Israel's national broadcasting authority for the competition a day after Israel began its offensive against Gaza in December, 2008. The Israeli-born Nini was criticized by Israeli peace activists for calling Hamas a "cancer" and a "virus", while Palestinian Mira was attacked in a petition organized by Israeli-Arab artists.

Accusations of geopolitics, vote-rigging and vote-swapping playing a role in the concert's results have dogged the competition for decades. It was not until 2004, when the contest was held in Istanbul that the disputed island of Cyprus and Turkey first exchanged votes, despite a failed attempt by the Turkish organizers to present the Cypriot entry as the "Greek Administration of Southern Cyprus".

In Turkey, some have said Hadise's performance and songs are not representative enough of Turkey's cultural and religious identity - aside from the chorus, Dum Tek Tek is sung entirely in English.

"There's not a trace of Turkish culture in the song. It's like an erotic belly dance show," said Ismail Yilmaz, a member of parliament for the ultra-nationalist MHP party. "How can a copy of something Western with no reference to our culture, our Turkishness or our Muslimness claim to represent us?"

Hande Yener, the so-called "Madonna" of Turkish pop, said: "Her music style does not suit me at all. Nobody has to like each other. The public should decide who should go to the contest." Yener was herself a candidate for Turkey's 2008 Eurovision position before she wrecked her chances by flipping the paparazzi the "bird".

In terms of success at the contest, Turkey has fared better since the introduction of telephone voting, rather than panels of handpicked judges, in 1997. Telephone voting allowed for the force of the Turkish diaspora in Europe to be felt and in recent years high scores have come from Germany, France and the Netherlands where there are significant Turkish minorities. But this power may be somewhat curtailed in 2009, as juries are to be reintroduced following complaints over the fairness of voting by mobile phone text messages.

Turkey had its first Eurovision victory in 2003 with Sertab Erener's Every way that I can. Since then Turkey has been in the top 10 three times, with part of its newfound popularity down to the emergent new nations joining the competition, for example newcomer Azerbaijan gave Turkey full points in 2008.

While for most of the populations in "Old Europe" the show offers little more than a welcome break from grim economic conditions, in Turkey and "New Europe" it is a more serious affair, symbolizing independence and attachment to a notion of "Europeaness".

A study published by Derek Gatherer at the University of Surrey in 2006 found several collusive voting blocs, the two largest were the "Viking Empire" (Norway, Sweden, Estonia, Denmark, Iceland, Finland, Latvia and Lithuania) and the "Balkan Bloc" (Croatia, Macedonia, Slovenia, Greece, Cyprus, Serbia and Montenegro, Turkey, Bosnia Herzegovina, Albania and Romania).

From 1999 to 2008, all but two of the contests were won by a member of either the Balkan Bloc or the Viking Empire, with the exceptions the 2004 contest won by Ukraine and the 2008 contest won by Russia, both members of a smaller voting alliance known as the "Warsaw Pact" - though given last month's dispute over gas supplies the chances of Ukraine giving Russia its usual high vote look slim this year.

Though the supposed goal of Eurovision is unifying the greater continent through music, it has come to mean many things to many people, and some people say that while the show might not be fashionable, it is certainly still watchable. One thing that is sure, however, is that Eurovision is here to stay, and with any luck it will be in Istanbul in 2010.

Fazile Zahir is of Turkish descent, born and brought up in London. She moved to live in Turkey in 2005 and has been writing full time since then.

(Copyright 2009 Fazile Zahir.)


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