Q: What do these women have
in common?
By Siddharth Srivastava
NEW DELHI - A: They both
let their countries down.
They are products of two contrasting
societies, yet they break any gender stereotype that is
associated with the fairer sex. In a country such as
India, still steeped in defined roles for men and women,
with the latter usually expected to toe the male line,
the stories of United States Private Lynndie England and
Bollywood star Mallika Sherawat come as a bit of an
awakening.
The photos of 21-year-old England, in
which she is depicted purportedly participating in Iraqi
prisoner abuses, have been splashed across the world.
But Westerners may not be familiar with 28-year-old
Mallika. Mallika has not been accused of the kind of
crimes that England is alleged to have perpetrated and
some may say that it is even unfair to talk of her in
the same breath as England. Yet there is one definite
similarity: both have, knowingly or unknowingly, proven
or unproven, treaded on paths that have been
traditionally associated with the men folk - duplicity
and lies - though in the case of England the accusation
of torture is actually a crime of a much more serious
nature. Mallika's are more of a survival tactic that is
not legally a misdemeanor, yet an indication of what to
expect as gender barriers get smudged.
Though
England's case still awaits an inquiry, the fact that
she seems directly involved in prison torture does gall,
especially when there is a movement of sorts in this
country to man police stations with women constables, so
as to reduce harassment and third degree treatment. Her
life story, culled from various news reports, also tells
a tale of a woman who has led her life very much on her
own terms. She seems to have stuck to her stand of
working her way through a college degree to study
meteorology, despite offers of help from her family. Her
impetuous streak is reflected further in the several
relationships she was involved in at a relatively young
age, including an annulled marriage at the age of 20 and
an affair with co-prison reservist Charles Graner (aged
35), a partner in the torture drama, with an alleged
history of being mentally ill. One
does hear of women
suicide bombers in Chechnya or the dedicated women
cadres of the Liberation Tigers of Tamil Eelam in Sri
Lanka, but it is rare to witness such aberrant female
behavior in a mainstream society such as the US.
Mallika traverses a different league as she has
been recently hailed as a youth icon by CNN (that is,
before her real story broke) - she is a budding
Bollywood film star with a very promising future, given
her looks, histrionic talents as well as dare-bare
roles, quite bold by Indian standards. She was first
noticed just a year ago as a model in a couple of
popular advertisements with stars such as Amitabh
Bachchan and Shahrukh Khan and then in a movie called
Khwaish, which unofficially remains the Bollywood
movie with the maximum number of kisses (some have
counted 17, others 19). However, Mallika has really come
of her own in a movie called Murder, which has
been declared as the first Bollywood hit this year.
Director Mahesh Bhatt, who usually delves into the
subject of human relationships, is behind the movie,
which is about an extra-marital affair, allowing Mallika
ample opportunity to display her well-toned body as well
as execute a number of steamy kisses and more. By Indian
standards Mallika's sex scenes can be compared to the
kind of attention Sharon Stone drew in Basic
Instinct or Kim Basinger in 9 1/2 Weeks. All
very regular up to now, as the Mallika episode can still
be canned as a happening linked to changing times and
cultural crossovers, with many aspiring starlets having
taken the same path to fame and fortune.
The
twist is in her personal life. In order to gel with the
masses, her publicists, as well as Mallika in
innumerable interviews to the press, talked about her
struggles to make it in Bollywood - a poor girl from a
lower middle class family who fought her way through the
big bad world of model coordinators in Delhi and then
Bollywood directors in Mumbai. She talked of the
difficulties of being born and brought up in Rohtak, a
small town in the state of Haryana that is a far cry
from the hustle and bustle of urban living and accented
private school upbringing. She also spoke about the
strained relationship with her "conservative" father who
opposed her entry into the world of glamour. But, she
stuck on and through sheer hard work made it big. Her
story was the story of a young girl, who mixed good
values that count with the right dose of pragmatism,
hard work, honing her talent and bending a little more
to allow directors to push the borders of prudishness to
suit their needs. This was viewed as the price to pay
for fame and fortune as well as the absence of a
godfather, in an industry where a majority of actresses
owe their presence to direct links with powerful film
families. Mallika, in short, soon became an inspiration
for hundreds and thousands of small-town girls in India,
some of whom migrate to Mumbai and Delhi in the hope of
making it big in the glamour world. Indeed, CNN anointed
her as a youth icon of India and Newsweek featured her
in an article on New Bollywood.
Mallika's story
has turned out to be false. She belongs to an affluent
Jat (community in Haryana) family, settled in one of
Delhi's posh localities, studied in a prestigious
private school, led a privileged existence with a well
networked family with powerful business and political
links, has probably never been to Rohtak, her real name
is Reema, she is much older than the claimed age of 21,
and has been married and divorced with her former
husband leading a quiet life in the capital.
Her
father said in an interview that he regularly interacts
with Mallika and she told him that in the film industry
such an image has to be built for good publicity. "I
guess I have to understand when she says she need to say
these things to get media attention," said her father -
truly not a very conservative point of view. In short,
though Mallika is a talented actress, she did have a few
other factors, including the support of her family,
going for her that surely must have helped.
As
mentioned earlier, it may not be correct to talk of
Mallika and England together, yet they smack of a
betrayal - England for the alleged violation of human
rights and Mallika for painting the wrong picture for
girls around the country who dream of making it big, all
on their own.
Siddharth Srivastava is
a New Delhi-based journalist.
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