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BOOK REVIEW
Reporter's murder a shadow-puppet farce
The Invisible Palace by Jose Manuel Tesoro

Reviewed by Gary LaMoshi

Persecution of the media in Indonesia remains a sadly current story. A string of damages lawsuits and criminal prosecutions against newspapers and journalists illustrates that, even in this post-Suharto age of reformasi, powerful forces still can impose their will and protect their privileges. Jose Manuel Tesoro's portrait in The Invisible Palace of the murder of journalist Faud Muhammad Syafruddin uses the slaying and the tragic, comically botched investigation as a frame to illustrate the workings of former dictator Suharto's Indonesia and its links to pre-Islamic traditions that survived the New Order.

The murdered freelance reporter, known by his nickname Udin, wrote for Yogyakarta daily Bernas about local affairs in the village of Bantul on the outskirts of Central Java's biggest city, and the keeper of Javanese cultural traditions. Many travelers find Yogya, as the locals call it, the most charming city on Java. Alone among Javanese cities, Yogya's sultan remains a respected, influential figure. The current sultan serves as governor of the province, following the footsteps of his father, and reigns in his Kraton, an impressive, if somewhat ragged, palace quarter.

But there's a darker side to Yogya. Most Yogyans and Javanese are Muslims, but their faith remains peppered with mystical beliefs. Wayang kulit - all-night shadow-puppet shows based on Hindu mythology - are a feature of cultural life. For visitors, they're a charming diversion; for Javanese, they're a moving spiritual experience and a metaphor for how a hidden master controls events, a metaphor that inspired the book's title.

The supernatural retains a powerful hold in Indonesia and includes the legend of Nyai Roro Kidul, Yogya's Queen of the South Ocean, reigning in her own invisible palace. Many people pray at the mosque then seek the advice of a dukun - translated as "mystic" or "witch doctor" - on matters from land and business deals to impotence. Events surrounding Udin's death sent politicians and police investigators to the dukun.

Suharto hailed from a broken family not far from Yogya and won his greatest military fame with the expulsion of the Dutch colonial army from the city, headquarters for Indonesia's post-World War II independence movement. Many attributed the obscure general's rise to power and his three decades of unchallenged rule - Tesoro calls it "soft fascism" - to supernatural influences.

When Suharto tried to oust the leader in the village of Bantul outside Yogya, bupati Sri Roso Sudarmo sought the help of Suharto's half-brother Noto Suwito, the only member of the clan who stayed put. Sudarmo pledged to contribute Rp1 billion (US$428,000 at the time) to the Dharmais Foundation, a Suharto-run charity, if granted another term. Suwito was named to carry out the contribution and co-signed Sudarmo's pledge.

Udin reported that story and also wrote about Sudarmo's apparent skimming of anti-poverty funds and his grandiose redevelopment scheme for Parangtritis Beach, the realm of Nyai Roro Kidul. These stories brought complaints from the bupati, and Sudarmo ordered his staff to prepare a lawsuit against Udin and his newspaper.

But before the lawsuit could be filed, a late-night visitor knocked on the door at Udin's home behind the photo studio he owed with a partner. Udin's wife Marisyem opened the door to find a muscular young man in a red T-shirt and bandanna. He asked for Udin, saying his motorcycle was broken and displaying a metal pipe, apparently the reason for the disabled bike. But when Udin came outside, the pipe became a murder weapon. Marisyem discovered her 33-year-old husband's body moments later, bleeding from a fatal head wound.

Yogya's most colorful detective, Edy Wuryanto, took the case. Known for his creative undercover work and his use of mystics, spells and charms in his investigations, Edy contended that 99% of all crimes were due to love or money. He steadfastly refused to consider the possibility that Udin's murder could be part of the remaining 1%, involving, say, politics, in a country where journalists still face violence and police can still be persuaded to look the other way, or even assist.

Local reporters' probes into the killing uncovered political links, including one official who claimed he'd witnessed a confession from Sudarmo. But Edy's investigation led to the arrest of Dwi "Iwik" Sumaji, a meek driver for a sign company. Edy mixed a cocktail of false business leads, beer, pills and Red Bull along with the promise of "help" for Iwik if he confessed to the murder. Edy told Iwik he'd be protecting an important figure who would show his appreciation, a figure Iwik identified at his trial as "the bupati".

The catalogue of irregularities in Edy's investigation would be funny, except that the crime was murder and there was an innocent man's freedom at stake. The investigator borrowed a bag of Udin's blood that the reporter's family had meant to bury with the body; Edy claimed he used it as a part of a sacrifice to the South Sea Queen to help with the probe. It also could have been the source or prototype for the blood found on Iwik's seized clothing. Edy borrowed a photo of Iwik's wife Sunarti from their registration documents and then claimed it was found in Udin's wallet. The photo supported a rumor Edy started that Udin carried on an affair with Sunarti, providing Iwik with a motive straight out of the detective's own book on criminal behavior.

Prosecutors eventually tired of Edy's antics and the holes in the case, which came under increasing scrutiny, nationally and internationally. After rejecting the police investigation file five times, government lawyers finally took the case to trial, perhaps not because they thought they could win, but because they wanted to get rid of it. In the end, after a year of tormenting Iwik, his family and Udin's survivors, a court acquitted the driver. But, Tesoro reminds readers, Udin's killer still walks free.

While the story of Udin, Iwik and the rest is compellingly told and instructive, the true essence of Tesoro's tale lies in one passage: "In Indonesia, as in much of the developing world, the truth is like an onion: Peeling away layers of lies, errors and misunderstandings results in little but a big stink and cloudy vision." Even today, police cannot be trusted and the elite still holds sway. Journalists still must fear martyrdom and, more important, every citizen can become a victim.

The Invisible Palace by Jose Manuel Tesoro (Equinox Publishing; Jakarta, 2004). ISBN: 9799796474; 326 pages, US$14.95.

Gary LaMoshi, a longtime editor of investor rights advocate eRaider.com, has also contributed to Slate and Salon.com. He's worked as a broadcast producer and as a print writer and editor in the United States and Asia. He moved to Hong Kong in 1995 and now splits his time between there and Indonesia.

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Sep 11, 2004



 

         
         
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